We begin our journey into the past by entering the Querini Stampalia Palace from Campo Santa Maria Formosa. Once you cross the threshold, what immediately strikes you is the atmosphere of calm and tranquillity, the same that will characterize all rooms.
We want to start a journey into the past through the enchanting rooms of the Querini Stampalia Foundation museum. A journey to discover every single detail which – for centuries – has characterized the life of the noble Querini family, and now we can admire in its stunning evidence
Mariano Fortuny was an eclectic genius of the early 1900’s: he was a painter and a scenographer, he was interested in light effects, in theater, in costumes and fabric… he designed fabulous dresses and robes, printing the fabric with unique patterns through the use of original woodcuts, and invented a particular technique to create thin folds in silk cloth.
One of the most striking features of Palazzo Grimani (metterei il tag del museo) are its frescoed ceilings, painted by Giovanni da Udine and Camillo Mantovano with mythological stories, natural elements and many “grotesques”. But what are grotesques? Let’s explore their fascinating history, from antiquity to Palazzo Grimani
History of a Venetian palace and of the Armenian community that has been present in Venice for centuries.
A visit to the palace is a perfect start on an unusual itinerary in search of Armenian traces in Venice.
Mariano Fortuny was a multifaceted versatile talented person and had a vast eclectic culture. He was a fashion and costume designer, an inventor, a photographer with a skilled eye and created many lamps, fabrics and garments. He spent many decades of his life in Venice, in Palazzo Pesaro degli Orfei, and purchased a former convent area with garden on the Giudecca island for his factory bringing it back to life