Will we be able to see soon a new Baroque theatre here in Venice according to the wonderful project presented by Paul Atkin last year? It would be superb. In the meanwhile we are happy about the reopening of the Malibran theatre after the recent lockdown. Its name used to be a different one a long time ago.
Venice has often been a favorite subject for painters, and many artworks in the collection of the Museum of Modern Art in Ca’ Pesaro depict the floating city. Yet, every artist sees Venice in a different way: here’s a selection of my favorite “portraits of Venice”.
Here is the story of the bells of the campanile in St Mark’s square, how many they used to be, what they were for and how old they are… and a couple of curiosities!
On this occasion, I would like to take you on a brief trip across the history of the Malibran Theatre and of the extraordinary singer who gave it its name in 19th century, Maria de la Felicidad Malibran
The restoration and reorganization by the Swiss architect Mario Botta of a new ‘wing’ in Palazzo Querini Stampalia lasted for nearly 30 years. Botta redesigned the spaces of the homonymous Foundation that managed over the years to buy progressively several buildings on the eastern side of the Renaissance Querini Stampalia Palace.
On the facade of St Mark’s church there stand four horses in gilded bronze. They are modern reproductions of ancient sculptures looted by Venetians in Constantinople in 1204 and yet, they are more than just faithful replicas, in fact they are works of art of their own
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