Do you like music? Do you like to see how it is miraculously produced? The Museum of Musical Instruments of the Venice Conservatory displays a number of musical instruments, nice to look at yet more or less mysterious to the non-expert eye. Observing them, though, might open a glimmer of light and, maybe… pierce through darkness…
The Venetian architect Carlo Scarpa remodelled in the early 60ties the ground floor of the Palazzo Querini Stampalia. He added new elements and materials respecting the pre-existing structures using stucco panels, cement, iron elements.
We begin our journey into the past by entering the Querini Stampalia Palace from Campo Santa Maria Formosa. Once you cross the threshold, what immediately strikes you is the atmosphere of calm and tranquillity, the same that will characterize all rooms.
We want to start a journey into the past through the enchanting rooms of the Querini Stampalia Foundation museum. A journey to discover every single detail which – for centuries – has characterized the life of the noble Querini family, and now we can admire in its stunning evidence
Mariano Fortuny was an eclectic genius of the early 1900’s: he was a painter and a scenographer, he was interested in light effects, in theater, in costumes and fabric… he designed fabulous dresses and robes, printing the fabric with unique patterns through the use of original woodcuts, and invented a particular technique to create thin folds in silk cloth.
One of the most striking features of Palazzo Grimani (metterei il tag del museo) are its frescoed ceilings, painted by Giovanni da Udine and Camillo Mantovano with mythological stories, natural elements and many “grotesques”. But what are grotesques? Let’s explore their fascinating history, from antiquity to Palazzo Grimani