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Federica Fresch

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Our Guides' Blog

The stories of Venice told by the ones that love the city and live there
In Venice with Kids: Masks, not only at Carnival

In Venice with Kids: Masks, not only at Carnival

Hi kids! This is a blog post for you!
It’s Carnival time! Ok, we cannot celebrate it this year, due to the pandemic… but we can still talk and dream about it, can’t we? Read about the Venetian masks that were common in the past, not only during the Carnival. And what about the masks that we use today? Stay tuned: you will have the chance to read about them soon!

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Child-friendly visit of the Doge’s Palace, Bridge of Sighs and Prison

Child-friendly visit of the Doge’s Palace, Bridge of Sighs and Prison

Also the visit of the Doge’s Palace, the former residence of the Venetian government. with its gorgeous rooms and grand paintings, can become an exciting tour for children thanks to statues of Greek and Roman Gods, a considerable collection of weapons and with thrilling stories about the Bridge of Sighs and the dark cells of the Prison.

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Palazzo Mocenigo and perfume in Venice

Palazzo Mocenigo and perfume in Venice

Palazzo Mocenigo by San Stae in Venice is a 17th century palace that offers an insight into an authentic aristocratic palace with paintings, chandeliers, baroque and rococo pieces of furniture, textiles and costumes. We can also discover there a lot about the history of perfume and the important role Venice played in this trade.

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Portraits of Venice

Portraits of Venice

Venice has often been a favorite subject for painters, and many artworks in the collection of the Museum of Modern Art in Ca’ Pesaro depict the floating city. Yet, every artist sees Venice in a different way: here’s a selection of my favorite “portraits of Venice”.

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The Mazzariol Hall: Mario Botta’s reorganization in Palazzo Querini Stampalia

The Mazzariol Hall: Mario Botta’s reorganization in Palazzo Querini Stampalia

The restoration and reorganization by the Swiss architect Mario Botta of a new ‘wing’ in Palazzo Querini Stampalia lasted for nearly 30 years. Botta redesigned the spaces of the homonymous Foundation that managed over the years to buy progressively several buildings on the eastern side of the Renaissance Querini Stampalia Palace.

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