Will we be able to see soon a new Baroque theatre here in Venice according to the wonderful project presented by Paul Atkin last year? It would be superb. In the meanwhile we are happy about the reopening of the Malibran theatre after the recent lockdown. Its name used to be a different one a long time ago.
On this occasion, I would like to take you on a brief trip across the history of the Malibran Theatre and of the extraordinary singer who gave it its name in 19th century, Maria de la Felicidad Malibran
This interview is dedicated to those visitors curious to know all about the soul of the lagoon city and of the Venetians who still have a genuine love for it. “Theatre is life and, thanks to Mattia Berto, Venice is alive without a shadow of a doubt! And I, who have always been passionate about theatre, will have the pleasure of taking you around the city with a specially-programmed itinerary.”
An unusual itinerary between theatrical literature and curious tales of Venice in the 18th Century. We visit Ca’ Centani, the Gothic palace where the great Venetian playwright Carlo Goldoni grew up, in the district of San Polo. His birthplace houses now an interesting museum dedicated to Carlo Goldoni, giving an idea of life in Venice in the 18th Century with an intact puppet theatre with several puppets, pieces of furniture, clothing and masks.
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