The prisons in the Doge’s Palace in Venice: How and who designed them? Was it possible to escape? From the “pozzi” and the “piombi”, dungeons with little consideration for human needs, to the new prisons, a fascinating post talking about “beauty, comfort and security”.
Inclusive Venice: here is a suggestion for a tour that can be enjoyed by everyone, despite their impairment or disability.
The secrets? No hurry and a perfect knowledge of the city by your Best Venice Guide! Enjoy the post and then enjoy Venice with all your 5 senses!
BestVeniceGuides and Tourism4all: Venice the city on a human scale: Sustainable, Inclusive & Accessible
Our profession as expert guides for Venice entails knowing in fine detail both the history and the individual artistic jewels of the city. But it’s more – it requires an appreciation of each guest’s different needs, be they physical or in connecting with the philosophical and conceptual tides which shaped the city and its art and to present this multi-perspectival narrative in an interesting and enjoyable way for very diverse guests so that they can experience Venice with pleasure.
BestVeniceGuides has established a partnership with UICVE- Unione Ciechi e Ipovedenti, with CERPA ITALIA, the European Center for Research and Promotion of Accessibility, VILLAGE4ALL, AGSAV Associazione Genitori Soggetti Autistici Venezia and with AUT-HOLIDAY.
Also the visit of the Doge’s Palace, the former residence of the Venetian government. with its gorgeous rooms and grand paintings, can become an exciting tour for children thanks to statues of Greek and Roman Gods, a considerable collection of weapons and with thrilling stories about the Bridge of Sighs and the dark cells of the Prison.
Will we be able to see soon a new Baroque theatre here in Venice according to the wonderful project presented by Paul Atkin last year? It would be superb. In the meanwhile we are happy about the reopening of the Malibran theatre after the recent lockdown. Its name used to be a different one a long time ago.
The restoration and reorganization by the Swiss architect Mario Botta of a new ‘wing’ in Palazzo Querini Stampalia lasted for nearly 30 years. Botta redesigned the spaces of the homonymous Foundation that managed over the years to buy progressively several buildings on the eastern side of the Renaissance Querini Stampalia Palace.