Today we laugh at the visitors who think you can get to St. Mark’s Square by car or by bus, but this was not such a strange idea for the engineers of the late 19th century who were trying to transform Venice in a “modern” city: let’s have a look at some projects aimed at making the lagoon city suitable for vehicles.
We begin our journey into the past by entering the Querini Stampalia Palace from Campo Santa Maria Formosa. Once you cross the threshold, what immediately strikes you is the atmosphere of calm and tranquillity, the same that will characterize all rooms.
Is there a reason why everyone in Venice gets lost? Cruelty or sense of humour of the ones that built the city? And how can you find your way in Venice? Trusting your smartphone and GPS navigator? Asking directions? Or simply follow the people along some busy streets? Or planning carefully all details…?
One of the most striking features of Palazzo Grimani (metterei il tag del museo) are its frescoed ceilings, painted by Giovanni da Udine and Camillo Mantovano with mythological stories, natural elements and many “grotesques”. But what are grotesques? Let’s explore their fascinating history, from antiquity to Palazzo Grimani
the Tuscan poet Aretino defined in a letter of 1537 to Sansovino the Scuola Grande della Misericordia as the “corintha machina“. This amazing former confraternity reopened a few years ago its doors after a successful long and expensive restoration
History of a Venetian palace and of the Armenian community that has been present in Venice for centuries.
A visit to the palace is a perfect start on an unusual itinerary in search of Armenian traces in Venice.
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